INC

Iglesia ni Cristo

On Sunday morning, I was on Shaw at 8:30 looking for a place to have breakfast, surprised about the absence of traffic noise and not realizing that a rather sizeable crowd of Iglesia ni Cristo members was gathered in the intersection of EDSA and Shaw.

Some, those looking exhausted with bloodshot eyes, were holding their placards that obviously had only one provenance, mass produced for the occasion. Some of them looked as if they were attempting to keep sleep and fatigue at bay, trying their best not to look as if they’re uncertain about their decision to be there on EDSA. Some of those who have given up keeping the facade standing were sleeping on reflective mats sold to them by a few entrepreneurial members of the neutral public who had seized the moment to earn a little.

A man from Marinduque stood on stage and talked about how he abandoned his fear of public speaking and was with the Iglesia at this very critical moment in the history of the sect.

While walking in my slippers, torn shorts, and an old shirt, the thought of being caught in the maelstrom of history in this garb made me smile. It was a beautiful day; the sun was up, there’s a slight breeze, and the traffic of vehicles that normally gives EDSA its sinister character was absent. It was a nice feeling to be there if not for the giant amplifiers that blew everyone and everything that stood on the path of the sound waves emanating from it away.

A monstrous LED screen was showing the churches built by Iglesia all over the world, while a voice over in that super affected radio announcer pitch was explaining how architects have made sure that these structures are made to withstand any calamity – a super typhoon, a tsunami, even a massive earthquake.

At the back of the screen, placed in the concrete box islands that contain ornamental plants that are meant to make Shaw Boulevard less menacing were unopened boxes upon boxes of bottled water. A few meters away were portable toilets standing next to each other; a young-looking man was covering his nose with his shirt before entering one. The Iglesia was holding its ground and would not withdraw, it appeared.

Any well thinking individual, Iglesia members uncluding, I surmise, who have a little background on critical thinking will realize from the onset that the reason for the protest, framed within the premise of the call for separation of Church and State is but flawed.

The editorial of today’s Inquirer on the issue is written well, and calling the action of Iglesia ‘non-sense,’ is fearless. As the crowd of INC members dissipates today nothing is proved more than the waning relevance of the sect. That more than trying to throw a red herring from the real issue, it is their leaders’ attempt at testing how relevant Iglesia is still in a society moving toward modernity.

Political leaders genuflecting before that Disneyesque temple on Commonwealth months before elections will lose the respect of the rest of the population.

Leaders (Chiz Escudero [this guy is reeking with the stench of political opportunism], Marcos, Binay, and Poe) who support the brandishing of the laughable separation of church and state argument for fear of not getting Iglesia’s bloc vote come May 2016 elections do not deserve my vote (and I will file a leave from work for a day to do my voters’ registration just to make this point).

I found a tapsilogan near the corner of the street, had my fill, and went home, hearing on my way that same man telling his fellow believers that more Iglesia members were coming. Indeed all roads led to Manila yesterday for Iglesia ni Cristo believers. But what for and so what?

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The Festival of Insignificance

It was the month of June, the morning sun was emerging from the clouds, and Alain was walking slowly down a Paris street. He observed the young girls, who – everyone of them – showed her naked navel between trousers belted very low and a T-shirt cut very short. He was captivated; captivated and even disturbed: It was as if their seductive power no longer resided in their thighs, their buttocks, or their breasts, but in that small round hole located in the center of the body.

festival

I had decided to forgo reading the reviews of the most recent Milan Kundra book before I went head on and read it intermittently on Saturday. Intermittently because partaking of a Kundera book in one sitting is akin to engorging the entire buffet.

So slowly I went on enjoying, savoring each sentence that are resonant of his style (if there is such a). His meanderings, the philosophical digressions (they call them) can be jarring for most, the narrator too loquacious, but I have come to expect them.

I must admit, shamefully, that I do not anymore remember how I first came across his work, and I admit (shamefully again) that it was The Unbearable Lightness of Being. I fell in love with it that I imagined myself as Tomas cleaning windows in Prague in the 1960s, sampling the endless permutations of women, my hair smelling like it were doused in vaginal discharge after my many trysts, and being told by Tereza afterwards to wash my hair.

Reviewing my old posts on this blog, I found none of those I tagged under the author’s name and that title could help me recall how I got hold of my copy of Lightness. My copy is badly mangled, scandalously highlighted, overly-annotated. I do not anymore remember how many times I have lent it and prayed that my precious copy be returned. After that, I, little by little, unconsciously at first, ravenously next, bought all his titles, including his books of essays.

I fell too madly, deeply in love with his works. The Joke, The Farewell Waltz, Life Is Elsewhere, The Book of Laughter and Forgetting, Testament Betrayed, Immortality, Slowness, Identity, Ignorance, and most recentlyThe Festival of Insignificance. I came close to donning a black turtleneck all the time. But of course, I won’t, as wearing a black turtleneck can be a challenge to justify.

If I had books that would most closely mark my twenties, they’re Kundera’s.

One thing stays persistently, paraphrasing Sabina, nothing matters in the long run.

I read Kundera for the meanderings and how these departures emphasize his incisive observations on the absurd, the banal, the insignificant. And by writing about them, he artistically made them all reasonable, original, consequential. Yes even the navel.

Such is the power of Milan Kundera.

A dead man

A friend sent me a message last night after I’d gone to bed about this man he saw collapsing in the middle of a street sometime before midnight. The man was declared dead upon reaching the hospital. Doctor’s findings: cardiac arrest.

Waking up with this message, I knew it would define the rest of my day, determining the lens I will use in looking at things–from a program proposal to an evaluation I am working on. The thought of a man suddenly dying on a rainy night in the middle of the street is bewildering. A column written by a young girl in today’s Inquirer talks about depression and suicide. Being reminded all the time of death and its inevitability is something that a cup of coffee in the morning (whose original aroma has all but deserted it) will never easily erase in one’s thoughts. It’ll linger the whole day constantly telling me that all these are for nothing. That in the end, the choices we make while alive will all converge to that singular last breath that is in fact a commencement of that slow but steady process of forgetting and being forgotten.

My friend told me about how that man’s wife and children “were devastated.” I cannot say for sure how this cliché can aptly describe the feelings of the family. For sure they are. But how accurately does the word ‘devastated’ capture the essence of this emotion, of this eternal feeling of loss, eternity being our very myopic and self-centered idea of forever that only lasts as long as one’s consciousness exists? Even language is at a loss in concretizing death, for only living through death can one truly feel it but still completely unable to express it in the purest sense with words.

And so thoughts on the death of that unknown man pulled me back to thinking today and to its concomitant act of writing. It doesn’t matter how futile the attempt is.

Trod

“When I take a long look at my life, as though from outside, it does not appear particularly happy. Yet I am even less justified in calling it unhappy, despite all its mistakes. After all, it is foolish to keep probing for happiness or unhappiness, for it seems to me it would be hard to exchange the unhappiest days of my life for all the happy ones. If what matters in a person’s existence is to accept the inevitable consciously, to taste the good and bad to the full and to make for oneself a more individual, unaccidental and inward destiny alongside one’s external fate, then my life has been neither empty nor worthless. Even if, as it is decreed by the gods, fate has inexorably trod over my external existence as it does with everyone, my inner life has been of my own making. I deserve its sweetness and bitterness and accept full responsibility for it.”

Herman Hesse. Gertrude. 1910. (Translated by Hilda Rosner.)