It was the month of June, the morning sun was emerging from the clouds, and Alain was walking slowly down a Paris street. He observed the young girls, who – everyone of them – showed her naked navel between trousers belted very low and a T-shirt cut very short. He was captivated; captivated and even disturbed: It was as if their seductive power no longer resided in their thighs, their buttocks, or their breasts, but in that small round hole located in the center of the body.
I had decided to forgo reading the reviews of the most recent Milan Kundra book before I went head on and read it intermittently on Saturday. Intermittently because partaking of a Kundera book in one sitting is akin to engorging the entire buffet.
So slowly I went on enjoying, savoring each sentence that are resonant of his style (if there is such a). His meanderings, the philosophical digressions (they call them) can be jarring for most, the narrator too loquacious, but I have come to expect them.
I must admit, shamefully, that I do not anymore remember how I first came across his work, and I admit (shamefully again) that it was The Unbearable Lightness of Being. I fell in love with it that I imagined myself as Tomas cleaning windows in Prague in the 1960s, sampling the endless permutations of women, my hair smelling like it were doused in vaginal discharge after my many trysts, and being told by Tereza afterwards to wash my hair.
Reviewing my old posts on this blog, I found none of those I tagged under the author’s name and that title could help me recall how I got hold of my copy of Lightness. My copy is badly mangled, scandalously highlighted, overly-annotated. I do not anymore remember how many times I have lent it and prayed that my precious copy be returned. After that, I, little by little, unconsciously at first, ravenously next, bought all his titles, including his books of essays.
I fell too madly, deeply in love with his works. The Joke, The Farewell Waltz, Life Is Elsewhere, The Book of Laughter and Forgetting, Testament Betrayed, Immortality, Slowness, Identity, Ignorance, and most recently, The Festival of Insignificance. I came close to donning a black turtleneck all the time. But of course, I won’t, as wearing a black turtleneck can be a challenge to justify.
If I had books that would most closely mark my twenties, they’re Kundera’s.
One thing stays persistently, paraphrasing Sabina, nothing matters in the long run.
I read Kundera for the meanderings and how these departures emphasize his incisive observations on the absurd, the banal, the insignificant. And by writing about them, he artistically made them all reasonable, original, consequential. Yes even the navel.
Such is the power of Milan Kundera.