Magsimula ka

I didn’t know that the classic OPM song Magsimula Ka came from a musical of the same title. It was, according to my friend Gibbs Cadiz, one of the very first musicals in Filipino staged in the 1980s. With the onslaught of Broadway musicals that almost totally eclipsed the Philippine musical theater scene during that decade, Magsimula Ka was a welcome respite from the tried and tested production of musicals imported from that famous street in the Big Apple.

After my Media Literacy class at UP last Thursday which ended at around 7:30 in the evening, I took a cab to Greenhills. It was my first time to be at the Music Museum, or the Greenhills Shopping area, so I had no idea where it was except that it’s “sa likod ng mall”. I thought of directing the cab driver to ask around where the venue was as he was also not knowledgeable. It was a good thing I did not because the word Music Museum was in bright white neon light, drowning all the other signage in the area. I climbed up the narrow semi-spiral staircase and was directed by a very amiable staff to my seat.

The venue was not as big as I imagined it to be based on the video clips of concerts shown on Showbiz reports of the nightly prime time Tagalog news programs I used to watch. I got not expectations of the production either. I am not keen on singing and dancing. But since Gibbs invited me, I thought of giving it a try. Although i know it’ll run for more than two hours which is my threshold of boredom for musicals and other forms of theater.

The musical was not extraordinary. There were some painful moments, probably because of the un-updated script or the exaggerated acting, but the play was, shall I say, passable. It reminded me of Janice de Belen or Manilyn Reynes starrers that failed not in giving me goosebumps when I am reminded of them now. And interestingly, Magsimula Ka gave me lots of those.

Ciara Sotto’s performance was very noticeable. It was noticeably unnoticeable. The rest were forgettable. Though I remember, while writing this line, that the maid and her paramour who were both superfluous in as far as the story line was concerned, did catch my attention. And to think that the musical could stand on its own without them. But Magsimula Ka would have totally lost my attention had it not been for the duo.

I wonder why my professor in that Media Literacy class did not include theater in the list of media we will be dissecting in class. I got to suggest it to him then.

Thanks to Gibbs Cadiz for the ticket and the wonderful during- and after-dinner conversation.

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